Rem Wise See more: www.RemWise.com
Untitled, digital painting, 11 x 8 inches ©2026
Untitled, digital painting, 11 x 8 inches ©2026
Untitled, oil pastels on paper, 12 x 8 inches ©2026
Untitled, oil pastels on paper, 8 x 12 inches ©2026
Light On The Other Side Of The River, chalk, 5 x 7 inches ©2024
Monolith, acrylic, 16 x 20 inches ©2024
Untitled, wood, acrylic and sculptey, three 4×4×4 inches cubes ©2026
Red, graphite, 12 x 18 inches ©2023
Untitled, paper and lamp, 12 × 7 × 7 inches ©2025
Fleeting Time, mixed media, 12.5x20 inches ©2024
Desk Work, oil pastel on matte board, 7.5x11.5 inches ©2025
Dancing, charcoal on matte board, 32x14 inches ©2024
Goat, silkscreen, 12 x 18 inches ©2023
Dead Weight, pencil on matte board, 32x20 inches ©2024
Frolicking, ink on slide, 2x2 inches ©202
Boys Will Be Boys, collage on slide, 2x2 inches ©2025
Untitled, ink on slide, 2x2 inches ©2025
Alterpiece, micron pens on Matt board, 11.5 X1 4th.5 inches ©2025
Forest, watercolor, 10 x 14 inches ©2023
Information, watercolor on book page, 8 x 12 inches ©2023
Self Portrait, paper and ink, 9 x 12 inches ©2022
Desert From My Mind, gauche, 20 x 12 inches ©2024
Work From Home, ink, 18 x 12 inches ©2023
Information, watercolor on book page, 8 x 12 inches ©2023
Untitled, film photography, 10 x 16 inches ©2023
Untitled, film photography, 10 x 16 inches ©2023
Untitled, film photography, 10 x 16 inches ©2023
Untitled, film photography, 10 x 16 inches ©2023
Untitled, film photography, 10 x 16 inches ©2023
Untitled, film photography, 10 x 16 inches ©2023
Untitled, film photography, 10 x 16 inches ©2023
Untitled, film photography, 10 x 16 inches ©2023
Untitled, film photography, 10 x 16 inches ©2023
Untitled, film photography, 10 x 16 inches ©2023
Untitled, film photography, 10 x 16 inches ©2023
Untitled, film photography, 10 x 16 inches ©2023
Most often I gravitate towards pencil, charcoal, or oil pastel. It feels the most impermanent. It is easy to make the most mistakes, to smudge the page, or make an irreversible mistake. Even when a work is “done,” these materials still live on, constantly threatening to change a piece long after it has left the mind of the artist. My work is a conversation to a human, one who could only understand a fingerprint or the smudges of color from an oil pastel on the hand. I often work without an explicit goal or message and let myself guide the piece. I work from my mind rather than a reference. I want to create something that represents myself, who I am, how I think. To know me without speaking–that is my goal.